Pilunimina’s (Flora’s) shell necklace – cultural continuity

No. 40

Zoom In
Zoom Out
Pan Left
Pan Up
Pan Down
Pan Right
Show Full Image
 

Nothing captures the heritage, resourcefulness and resilience of Tasmanian Aboriginal women like their shell necklaces. The skill of shell-stringing – a painstaking process requiring intimate knowledge of the island’s coastlines –survived European invasion and continues to be a highly regarded cultural practice.
Pilunimina (c.1809–60) was a Trawlwoolway woman from Tasmania’s north-east. As a young girl, she was stolen from her family by sealers. In 1831, Pilunimina joined George Augustus Robinson (who gave her the name Flora) to help him search for Aboriginal people in the north-east of Tasmania. She was taken to Wybalenna on Flinders Island and later transferred to Oyster Cove – where she died, on 27 May 1860, aged 51. It was while living in the miserable confines of the Oyster Cove camp that she continued the tradition of shell-stringing – making this beautiful necklace, as many thousands of generations of Tasmanian Aboriginal women had done before her.

Made of the pearlescent rainbow kelp shell (Phasianotrochus irisodontes), or ‘maireener’ as it is known, Pilunimina’s necklace is one of the oldest shell necklaces in the TMAG collection – and possibly the most unique. The maireeners vary in size, and are meticulously graded from small at the back of the necklace, to larger at the front – it is possible that Pilunimina’s adaptation of the western needle and thread allowed for the use of the smaller shells.

Today, a small number of Tasmanian Aboriginal women continue shell-stringing as Pilunimina did, maintaining and developing the tradition to include a wide range of shells in many unique patterns. These necklaces are admired and respected the world over for the cultural jewels they truly are.

Comments on this object

  • Yes - this necklace is fantastic, interesting shell sizing, wonderful condition - it is fantastic that the maker's identity is known. I wish the provenance and story of how the necklace maker's name is known and linked to this object,ie: how it came to be in TMAG undamaged, who Flora made it for etc, which family/ies looked after it until recently, etc, any further information - can also be included in the above story. Can you also please add the WOMBAT CLAW NECKLACE in TMAG collection to this list of Top 100. [I searched but can't find it here] Also, has the claw necklace been tested to verify it is Tasmania wombats, is it in osinew that can also be tested reL being Tasmanian (not Victorian) etc? If Tasmanian is ref. likely/possibly to be: 1 June 1830, Sandy Cape …”Told Woorrady and his companions to stop whilst I went to them. I came near to where I had seen them but they had concealed themselves. Then I saw the natives at about half of a mile distant looking at me, but when I went there they had concealed themselves. Saw numerous tracks of women and children and their fires burning. In a basket was the claws of some animal, which had been made into beads and some yellow ochre. They had shells which they used for drinking; they were like the ear-shell and the holes were stopped up. Took Woorrady and his lore and went in quest of the Toogee. Proceeded but a few paces and Woorrady saw two females watching us at the side of a rock. I beckoned for them to advance and held up beads”… Robinson, George Augustus & ed. Plomley, N. J. B. (1966), 2008, Friendly Mission : the Tasmanian journals and papers of George Augustus Robinson, 1829-1834, Queen Victoria Museum and Art Gallery, Quintus Launceston, Tasmania Julie Gough